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Sunday, 19 November 2023

Some poems

Recently I was introduced to the concept of poetry in a way that made sense. It's a vibe, literally. And that is what makes it so liberating. Shit don't even have to make sense, it's painting wih words. Conjuring a feeling through all sorts of conotations... personal, cultural, umbilical, there really are no rules. I was writing a diary, and there's a place for that kind of reflection, but i often felt that my thoughts translated onto paper were incredibly underwhelming. A life laid bare like that loses its vitality. if you were to transcribe real conversation you would experience a similar lack of dynamism that comes from realising how often you say the word 'like' and 'um', and 'yeah, no...'. It reminds me a lot of taxidermy. alive the animals are beautiful, yet even with perfect mimicry, dead, they are just that. So here's a bit of poetry because i've enjoyed writing it and this is my blog so i can post wtf i want.















  

The hunt



I’ve made semolina for Patrick and I but his foot is hurting and he won’t be able to join me on the hunt. I ask him if it’s the same foot he stepped on the rusty nail with at the end of summer when he refused to go to the doctor. It is, of course, the same foot, although probably unrelated, however my question sounds contemptuous and I regret making the point. He speaks to Stefan, and tells me that I’ll go with someone else. I’m driven in silence by someone just passing through, down to Vachear Stein, the meeting point. I get out early next to a trio of men as luminous as me, but they’re the wrong men and seeing some more in the distance I go on to greet Sasha and two others whose names I’ve either forgotten or couldn’t spell anyway. Sasha is also clad in the surreal orange that by divine right is clearly visible to man but not animals. It’s his first time too. He’ll be a jaeger next week, sitting on the high seat waiting for the game we are driving through. With our bodies through the bush, and our smells, and a near constant HOP HOP HOP that Sasha and I will take it in turns to shout into the forest. All I’ve understood is that we must be between 50 and 100 meters from the road that runs between here and Eisenach, and always loud so the hunters know you’re there even if they can’t see you. Last night, after signing my rights away, (to what I don’t know) I asked what would happen if someone actually got shot, ‘That would be bad’, Stefan replied. ‘No shit’ I thought to myself. 

Sasha takes the low side and me the high. I quickly relinquish any embarrassment at hollering my way through the forest, and can hear Sasha testing his feeling towards this alien noise emanating from his own mouth. Our voices both crack now and then, but there is no shame in it. It’s hard to shout loud, up hills and down hills. Through wild forest. The only paths here are made by animals that run under the arches of brambles and fallen trees. The hill we are walking down is sandstone. Fluvial valleys run tangent to our path and so we are almost always on a bank, either climbing, descending, or delaying the inevitable by walking along the slope. Intermittently we see hunters. The first two have shot Reh, small roe deer, but they won’t be found until the dogs are sent to search for them. I’m walking up a steep bank, shouting HOP, but hearing no echo from Sasha in the distance. Nothing for a while, and it is only until I have rushed to the top of the hill that I see him sucking air on his way to the top. He can’t have heard me calling his name. ‘Nicht so einfach’ i say to him, ‘Stimmt’ he replies. We have reached the top of a sandstone prominence. A big cliff that juts above The Valley, stark in the white, late morning sun. I roll a cigarette but my lighter isn’t working. I ask Sasha if he has one, and by the time he has finally produced it from deep within a series of nested pockets, each slightly smaller than the other, my lighter has sprung to life and my cigarette is lit. “Natürlich”, I say, which gets a small laugh. We drip back into the trees, and my mind wanders behind the reflexive HOP HOP HOP Sasha and I call to one another, slightly different in tone and execution. I ebb between physical satisfaction and weariness. It is impossible to stay up right, and I slip on wet autumn leaves, and down slopes. The latter is great fun but fills your boots with grit. I quickly learn not to step on fallen trees slick with moss, or to walk through brambles if I can help it. The raspberries are not good enough compensation. I wonder how effortlessly great woodsmen can really move through the forest, and ancient hunters, if they really moved silently on thin leather shoes. I wonder of course about the ethics of what I’m doing, Tipping an already unfair fight further in favour of the hunters, who sit coddled with steaming thermoses, inconvenienced only by an early start. I wonder this last thought when I see Sasha talking to a hunter in an especially beautiful seat. 

The seat is sat on the bank of a valley and looks over to the bank on the other side, with a clear view almost to its top. A sandstone cliff juts out of the trees to the right flank of this bare patch about 80 meters away, you cannot see its base. And casting eyes further right and over the hill that this seat sits on is the Wartburg totally exposed. It is a painting. This was the first high seat I saw here. When Daan showed it to me he told me that once he was sat here after dark and saw a red stag walk to the edge of that sandstone cliff and just stand there in the light of the full moon. How could he not have known how majestic he looked. Daan couldn’t make the shot. He was too far away. 

I debate walking over to Sasha as we have split up around a fenced off piece of recovering forest and I am quite a bit further down the trail so would have to walk up to him. However the hunter has clearly shot something and as I get closer the unmistakable sound of a dying animal can be heard clearly in a dense thicket of brambles. The hunter says the animal has been there for half an hour but he has only just left his seat when we arrive. It is a Wildschwein, a boar, and as I move around the thicket to get a better view of the animal for the killing shot it roars at me and any pretence I may have had to my courage in the face of a wild animal leaves me as I slide down the slope on my arse. “Es ist besser hier” I say, “Der Schwein ist unter der Baum”, under the fallen tree that it has made its place to die, with or without us. The hunter comes round and places a shot just behind the ear, and the animal kicks hard at the ground in its death throes until its tail stops twitching. I step into the thicket with far more confidence than I should have and the hunter pokes the animal with my stick to make sure it’s actually dead and then to brush aside the brambles. He conveniently cuts himself on one and Sasha and I are left to drag the animal out onto the exposed earth and up the bank to the road behind his seat. Fresh blood stains my trouser legs and I cannot help stroking the animal and thanking it absurdly. I am not sentimental about hunting. At least it doesn’t arouse particularly strong emotion in me anymore. But respect seems to wane over time, desensitised to death, and perhaps subconsciously I want to make a point that we have taken an animals life from it, we are animals too, and that the least we can do is acknowledge that sacrifice in the transitory moment from ragged breaths to still resignation. “Danke”, I say as I stroke and scratch its head between the ears, and squeeze under its legs, as I do with Erwin. The hunter is back on his perch when we leave, waiting for another. Neither Sasha or I see anymore game. Neither has the next hunter, or the next, and I am quite self conscious that I am doing something wrong. I am coming up to their seats from behind and although that is definitely preferable if you do not want any chance of getting shot, perhaps there is an animal waiting in a thicket or hole in the forest beyond them. But perhaps I am doing it right and pushing the animals away from the forest they are not looking at, into the bit that they are. Not everyone on these drives gets a kill, but everyone has a reason why they didn’t. Aside from the odds being heavily in the hunters favour it reassures me to know that the variables are such that, although you can get better, no one knows for sure that they will get an animal. I suppose that’s what keeps the hunters coming back. Trading in the speculation and mystery that keeps these animals wild. At noon Sasha and I reach his car, left at the end of the trail we have been driving, earlier in the day. We are both very thirsty and every time i say “ich habe Durst” I get a very enthusiastic “ich auch” in response that feels like bonding. Although Sasha never once asks what I am doing here, or why I only speak basic german. He doesn’t even ask where I’m from which is one of the few questions I can actually respond to in a simulation of perfect Deustch. “Ich komme aus England, in der Nähe von London. Der Stadt Heißt Brighton, In Sud England, bei de Meer”. 

We drive to the field where all the animals shot today will be laid on the grass and counted by the forester. First comes the pig we pulled from the thicket and then slowly more animals start to arrive and are placed in rows respective to their species. To the left are roe deer, all of which are small and seem very young. Most shots are clean, but one has shattered a leg, and another’s has  clearly been broken by some final act. Then the pigs. Ours is the second largest but none of them are much older than a year. And then the Rot Hirsch, the red deer. Five were shot, all of them stags, and two with quite impressive antlers. Another is a yearling and has wands protruding from his head, yet to have branched into a full rack. Daan later tells me that some of the older hunters say that having shot such a stag in the past would have warranted a fine as the trophy is too small. And even the best trophy here would have been left they say, as their genes are desirable in future generations. The forester doesn’t care. These animals are shot in his concession to stop them eating trees, not for trophy’s or even for meat. For him the meat is a bonus, the trophy is a perversion. The trees are what’s important. To produce a resilient ecosystem that can withstand the climate change that these animals had no part in creating. And besides, these trophies litter the flea markets here and in every other village. No one remembers who shot this one in that cardboard box, or the one next to it. The only one who cares is the one who shot it. And no one remembers him either. 

The area where the animals have been placed is surrounded by pine tree branches, their dark needles clearly demarcating a square on the grass. There is no apparent reason for this other than I suppose respect for the animals. Respect does exist in small ways. One of the red stags has a pine branch gripped firmly between its teeth as if it had clamped down upon it in one last effort. The Schwein we pulled from the thicket had clung to a branch too. Ripped from somewhere in a real attempt to exert some authority, some decisive action that proved it was still alive, that it had some bite left. In the stag this is purely ceremonial, a tradition the name of which translates as ‘giving the last meal’. I’m not sure if the animal bites down on it reflexively or if it is held as rigor mortis sets in. Or maybe the jaw muscles hold the jaw closed naturally in death, just as the muscles around the eye keep the eyelids held open. A trio of men sound the horns, a small tune played well, to signify the end of the hunt. Nobody claps when it is over. Another small reverence. Perhaps it is the animals who should be clapping. Then the names of the hunters are called, and a small pine branch is given to each, to be placed in their hats, and to each is said, ‘waidmanns heil’, which can mean hello, good luck, or congratulations, depending on the context. Sausages have been promised but they come after this ceremony and somewhere else. It’s past one in the afternoon, I’m still thirsty and I’m tired of not understanding, and not being understood. The horns are blown after every species. That is to say, after each hunter who had shot each stag has collected their branches (and every stag had been shot by a different man) the horns are blown and then the the hunters who had shot the pigs are called and so on. I stand outside the circle surrounding the animals after the first horns. Ostensibly because I want a picture of the scene, but really it’s because I don’t want to be there amongst people I don’t know and probably never will. I don’t like the prevailing attitude amongst those that are inspired by this grim scene, and who, after the horns have played their last tune, rush to carve away their trophies.

Daan and I drive back home. I don’t remember what we spoke about. He has a small branch in his felt hat. And when he pulls his bag out of the back of the car it is splashed with blood. He has to go to a chess tournament his two boys are playing in straight away so I have lunch alone, and after I go to my room where I sit and write this. 






Monday, 5 June 2023

Take a photo it will last longer

Too often I get bogged down in making these posts perfect. Result? I never post. There’s obviously a fine line here, as I don't want the quality of these posts to suffer at the expense of quantity. I think the solution here is simply, smaller projects get smaller posts. I will also rely on photos to do most of the explanation for this work too. In this instance the final photos I have of this camera case suck ass, and will hopefully be replaced. My previous camera case was a pain to use. It wasn't really a camera case. Just the bag the camera came in with a cord stitched to it. It had a zipper and was a very tight fit which meant that it took a while to access the camera. This case was intended to make access much easier, with a small bayonet style closure and flap. I did like the easily adjustable length of my old case and have replicated that with a small stopper not in the hemp cord of the new one. This case is rough! The moulding process went so well that I was expecting every aspect of this project to be as succesful. That was not to be the case as cutting and stitching a semi flexible, yet very tough material is difficult to do precisely. I'm pleased with the form of the hardware, and the small cuts that allow it to be inserted into the leather work well, however the leather is deforming at these stress points and time will tell if reinforcement here was needed. Certainly a project that could be revisited, and which would benefit immensely from a more experienced leather worker.





the form for the wet leather

pressing the soaked leather





horn hardware turned on the lathe

hardware is inserted through horizontal cuts in the leather


glued and ready for stitching




hemp cord

Another terrible photo of the finished product!




Work makes you free

I’ve been in Germany for two months now, and this place rules?! Well thank fuck, because I was

looking over the edge before I came here, and now i’m just admiring the horizon. I’ve been working

my little titties off here, and now it’s time to use this blog as the archive in which it was intended. 


playing with lights. very clean transition from colour to soft lighting here.

Working with Peter was a real game changer. He's painstakingly aware of his environment, constantly fiddling with the humidity, light levels, and arrangement. We worked together on a bar for their event space in an old barn. Peter and his wife, Silka are proper designers. They done did it at a high level. Silka is still professionally doing it. She said something to me that really stuck. We were talking about an introduction she had to do at her new job, and she was struggling with the presentation. She goes "what is there to say, It's like explaining a joke", boom! There is a real place for justifying design, and understanding why something is good. Done well, this inquiry into design is incredibly enlightening. But at the same time, half the fun is in just 'getting it'. Perhaps her comments speak to my recent spate of making for the sake of it. I've spoken about this before, but after Uni I was tired of ‘explaining the joke’ and so I just decided to churn work out. This is of course its own justification, and there was more to it than that. I also wanted to make for others. To finance this compulsion. And as of yet I haven’t found a project I have needed to justify. The things I've made these past few months have a relationship to the place and time in which they were made. I suppose their justification is in the story that is told alongside them. 






wood block print made at Leepswood

Back to Peter and Silka. Damn they really listened. As I say real, proper, designers, who have done

really good work, and they gave a shit about what I had to say. I rate myself but I don’t expect anyone

else to, and it was so natural. No hierarchy, just discussion and implementation. And results!

Aesthetically those results didn’t blow me away, but the act of creation was one of the most

fulfilling I've experienced. The same is true here at the second workaway, building a firewall. I think it

has something to do with working for free? Again back to Peter and Silka, and to space and events.

Have I been ignorant to the pinnacle of human expression? The event. The party. The show. What's

more important than spectacle, what’s more exciting than giving each other the essential wrapped up

in the unexpected. Candles in trees, lights floating at night. Buildings wrapped in Fabric. Sound so hard

you literally shit yourself. I’m just riffing, but fuck me I wanna throw a party! What’s it like sitting down to

dinner and feeding the person to the left of you? What’s it like standing up to dinner? Even eating in the

dark. That used to sound so stupid to me, and I guess I wouldn’t start a business dedicated to it i’m glad

that someone did. In a world where it feels so difficult to change anything, exploring alternatives is truly

radical.


Plastic sheathing in the bar, really cool effect.















Speaking of alternatives, how about the 5th century. I spent the weekend at a living history event, which a younger version of myself would have certainly bullied me for. But here I am, fully grown, playing dress up as a medieval fabric trader. This was mainly an event for other fully grown adults to beat each other up with swords, but the handicraft aspect of this event was what blew me away. Not a machine stitch in sight. The lengths these people go to recreate the past is astounding, and the skill with which they do it is even more so. The atrophied part of my brain that still considers itself a designer, was seriously into this kind of experimental archaeology. A lot of the questions about how an object was used, or what it was used for, can be answered by recreating it with similar technology, and then just using it. Wild to think that we’re similar enough to a medieval person, that it seems in all likelihood that the way we use their objects now, is a direct replication of their own use patterns.





Shoe from a single piece of leather


What follows are some small bits made at the place i'm currently staying.



beer label


cow bone buttons